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L'album est dessiné aux traits et les pages intercalaires - entièrement programmées - proviennent d'animations de synthèse
and unfiltered creativity in detailed dessins
theatre design
Les essais des éditeurs et de Chris Dercon
basé à Los Angeles
La Nonpareille Schrader L'album est dessiné aux traitsLa Nonpareille expands on Batia Suters site specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and