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Alekhuogie rephotographs these image-sculptures against striking backdrops—often using East and West African textiles—thereby inviting multiple dimensions of viewership
est retourné au camp de Skegness en 1982 lorsque la vision originale commençait à s'estomper
À travers plusieurs exemples précis
des moments dont on se souvient à peine
It is about the SITUATIONS project : commercial banners collected
Individual Methodology Kirsty Bell Alekhuogie rephotographs these image-sculptures againstIn the curator's archives. Neither a biography nor a compilation of his projects, this publication, thanks to privileged access to the archives of the Fabbrica rosa, hopes to shed light on Szeemann's curatorial methodology. Presenting numerous previously unpublished documents as well as interviews with the close collaborators of this exhibition maker, as he often referred to himself, the authors explore the structures and tools of his trade (his
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