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mais ne sont pas non plus alignés
The works contained in the magazine range in scope and take on a multitude of forms
Lee’s work manages to challenge such rules by creating work around sex and the body
Walker posits her photographic practice to operate in a kind of unlikely parallel to that of spiritual practices
Rebekka et Fariba entrent au lycée
The model family Kertesz mais ne sont pas nonIntergenerational love, loss, trauma and joy are explored in a project mining the ambiguities of memory, through thirty years of the artist photographing her family. Ellis Ritters first monograph The Model Family loops and deconstructs family photographs of the past and her own contemporary images, in the process confronting head on the ambiguity of photography and its role in memory and identity. However, far from being a space of nostalgia, The